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Into the Night', 9: '9. I Need Love', ' Country Fine,,Red Sovine,Country,. Strangers By Night,,C. Toc H. Anil Dash is obsessed with Prince. Anil joins the show to break down the many ways that Prince predicted the sound and science of modern pop, from drum machines to online distribution to internet culture. Men singing high is so ubiquitous in modern pop that we might take it granted, never pausing to ask: has it always been this way? Estelle Caswell, who makes the Emmy-winning Earworm series for Vox, decided to find out, and she stops by to share results from her painstaking study of male falsetto in pop music from to today.

Some of her findings may surprise, like was the peak year for falsetto, Justin Timberlake doesn't sing as you high at might think, and falsetto has been around as long as pop itself. Swedish dancefloor confessionals, songs that stop time, the specificity of Lana Del Rey, and the awkwardness of descending fourths: it's all on the table in this freewheeling conversation of deep musical nerdiness.

Dallas Taylor, host of the stellar sound design series Twenty Thousand Hertz , stops by to fill Nate in on the science and style of mastering : the subtle art that explains why Metallica had to re-release a controversial album, Kanye sounds so crisp, and why the best pop really pops. Intrigued by mastering? We are conducting an audience survey to better serve you.

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It takes no more than five minutes, and it really helps out the show. Charlie's out on parental leave, which means no one is here to stop Nate from going off the rails. And you know what means As soon as dad left the room, Nate enlisted his favorite journalist, jazz and sports writer Natalie Weiner, to come on the show and discuss her incredible Project — a day-by-day chronicle of jazz during one of its most pivotal years.

Sixty years later, jazz is no longer the cultural juggernaut is once was — but it still has much to teach us about pop culture of the present. Check out the and jazz cuts we're listening to. The pace of new music releases these days is dizzying. But then, there they are, popping up in batches right out of thin air. Of course, behind each individual release sits months of decision-making by the artist: who to collaborate with and when, how to structure the musical product of that collaboration, what to call it, how to release it, when, and on what platform.

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The list is long, and each of those choices has a big impact on how we hear the song. Via Dani, we learn that for Charli collaboration is more than just an artistic choice; and release strategy is much more than a major label playbook. Huge thanks to Dani for bringing us this peek into her world. So what makes this song so catchy and irresistible to children? And how do the rest of us cope with the unavoidable hit while keeping our sanity? Ross Golan is no stranger to Switched on Pop.


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This week, the songwriter and host of the hit podcast And The Writer Is… joins Charlie for a BONUS episode cue siren about the surprising lessons learned from a collective seven years behind the interview mic. Tune in as Ross and Charlie discuss the infinite shelf-life of classic songwriting techniques, the happy accidents behind some of your favorite hit songs, and the essential qualities of a good listener. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show.

This is not one to miss. Find more episodes of Off Book on their website h. In the pre-chorus, the singer proudly expresses that she is a "sexual bender. But these non-binary statements aren't limited to the lyrics. The message is reinforced with musical concepts drawn from the blues, Prince and Michael Jackson.

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Hands down, Lizzo is one of the most talented, knowledgable and fun guests. You don't want to miss this episode. In the course of our musicological investigation, we uncover dark truths about these seemingly anodyne hits that will make you question everything you know about pop music. Every year, critics and media outlets the world over put out definitive song-of-summer guides based on To answer that question, we asked you, our listeners, and got some downright awesome suggestions in return.

Your voicemails covered everything from Hot Girl Summer anthems and nostalgia-inducing dance jams, to globally infused collaborations and just-released future-feeling indie rock cuts. Today, we travel across the full spectrum of summer feels, and the music that comes through when we need it the most. In this episode we made light of PTSD by using the term irreverently - thanks to listener feedback we're better aware of how destructive such diminishing comments can be to people dealing with trauma.

We apologize for the misuse and will strive to avoid it in the future. Since the s, the label has been used both as a genre and as a catch-all for the entirety of black popular music. She worked with leading Afropop stars to expose the music of the continent to a global audience. Ani joins Switched On Pop to break down this album and what it means for Afropop. Why is it that every hip restaurant plays the same music? When Eater restaurant editor Hillary Dixler Canavan kept hearing similar songs while dining for work assignments, she compiled a playlist of what she heard. But what left her guessing was why this sound?

And how did it reach so many restaurants in cities across the U. She brought this question to Switched On Pop to understand why this 00s mostly indie sound was the ideal background for post-industrial chic establishments. Investigating the issue, she discovered a small bubble of music selectors who curate these lists for businesses. She spoke with Yvette Bailhache, a D.

And she asked Jonathan Shecter, founder of the Las Vegas based background music service Playback Prodigy, about what makes an ideal background sound. What she discovered is surprising. Desiigner, Bryson Tiller and Queen Naija have all made hit songs from internet beats. These beats are big business. The platform allows producers to market their beats to MCs and singers, boasting , active sellers and 1. His global ambitions were realized—producers on the platform come from all over the world.

They release a steady stream of new music, marketing their original and sound-a-like beats to aspiring and emerging artists everywhere turning into ad music, Instagram stories and even Billboard Hot hits. While BeatStars increases access to music, could this commoditization of music devalue the creative process? We speak with Abe as well as producers on the platform—songwriter Breana Marin and producer Dansonn—to understand how online beat selling is effecting the sound of pop music.

How is that possible?! Why did the composer Georg Friedrich Handel get in trouble for a bit of awkward text setting in one of the most famous pieces of Baroque music? Find out how music creates a feeling of space in this three part episode. First, we may not realize it when we listen to Madonna's new record, but the location of her music is essential. In exploring her catalogue we hear the sound of different eras by just the space evoked in a song. Second, the same is true for Stephen Puth who uses spacial effects for brilliant creative purposes on his song "Look Away. Each of those effects changes our relationship to the music, and in Steven's case, the lyric.

Take this wild journey with us and truly expand your listening. How should we listen to K-pop? This music has become a global phenomenon, charting on the Billboard Hot , taking over social media feeds, and touring the world. In particular, the group BTS has captured the ears of millions, building an Army of fans along the way.

As uninitiated listeners, the language and culture barrier left us uncertain about how to approach listening to, let alone breaking down their music. Kim's research on K-pop helps to expand our ears and understand the genre's history and aesthetics, while Augsbach helps us better appreciate the fandom. Applying their insights, we listen to "Boy With Luv" as a first foray into the wonders of K-pop.

Read Dr. Watch Vox's Netflix series Explained on the history of K-pop. Their complaint? The new "Prince Ali" is slow, sluggish, and dull. Indeed, the Smith version is 8 BPM beats per minute slower than Robin Williams's original—a subtle musical detail. We dig into the properties of tempo and key to understand why people have such a visceral reaction to a relatively small change and consider whether it suggests that we—meaning all of us humans, from musicians to amateurs—are more musically literate than we think.

Ever notice that wobbly, drunken and underwater sound common in so many contemporary pop songs? In an era of pristine recording quality, music producers are referencing old and impure technologies to add character to their recordings. Digital cassette hiss, tape wobble, and vinyl crackle are intentionally added to productions as a facsimile of "authentic" recording technology.

Why the sudden nostalgia? Where does this underwater sound come from? What does it mean? How is it made? Listen to Estelle's Spotify playlist of underwater intros. Rocketman is a spectacle the size of Elton John, four films in one. It contains a biopic, jukebox musical, addiction recovery story and a romance between friends.

The soundtrack ties the story together by taking historical liberties to tell a fantastical story about one of the best living songwriters. She brings us a bevy of lost gems, from Fanny, an all-female quartet of rockers that was one of David Bowie's favorite bands, to the Freeze a lates punk outfit now coming to terms with the offensive lyrics of their youth.

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Tune in to discover another side of pop, one that's rarely been heard. A pop star collaboration is a foolproof way to grab the attention of two audiences at once. But do more collaborators actually make a better song? Nate and Charlie investigate how the songwriters works that message into their music and speak with Ross Golan about Ed Sheeran's songwriting brilliance.

What do Bach and smooth jazz have in common? Both score the unmistakable theme song for NPR's flagship show Morning Edition , listened to by millions across the country every day since This is undeniably pop music, a daily soundtrack to the lives of many. So why does it sound the way it does? And why, after forty years, why does NPR want to change it? Many people write us with musical maladies and conspiracies. A recent one caught our attention. Daniel Armbruster, lead vocalist of indie band Joywave, has been hearing the same melody in tracks across the Alternative Songs charts.

He believes that this hook could be the secret to securing a spot on the Billboard Nate and Charlie investigate this issue, traveling from the contemporary charts all the way back to a fundamental musical scale. The stakes are high: is it possible to hack your way into a hit alt-rock song? We speak with X Ambassadors lead singer, Sam Harris, who helped co-write three songs on the album, including its eponymous track.

We discuss how Lizzo's songs glide across sixties soul, seventies rock rock, eighties new wave, and nineties hip-hop. But we find that her music is much more than a history lesson in genre. Lizzo's writes vulnerable and courageous lyrics about self love, body positivity, female empowerment, and black identity. Rather than craft a singular sound for her album, Lizzo utilizes the genre that best fits the message of any given song. Her subversion of genre to the mood of her lyric matches changes in music consumption.

According to Chartmetric , more people than ever are listening across genres to context based playlists. Does this mean genre no longer matters? Nate and Charlie try to find out with the help of Lizzo's genre busting music. When a listener asked us about the "sorcery" behind Taylor Swift's new song "ME! And because the track features Brendon Urie of Panic! At the Disco, we couldn't resist digging into their concurrent hit "High Hopes. Pop is inseparable from reality TV singing competitions. From Eurovision to American Idol, scores of stars got their start in singing competitions.

What is the history of these shows? Who got their big break on one?

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Is there a singing show musical aesthetic? We hit the books and records to find out, and the answers might surprise. Finally we speak with Elle Fanning, who plays contestant Violet in the film, about what it takes to train to be a singer primed for national fame. On a trajectory to be one of the biggest pop stars for this generation, seventeen year old Billie Eilish is not, however, your typical pop star. Her music speaks to the real anxieties of young people without any veneer. She sings from the perspective of monsters and villains. Her hushed voice, baggy style, and direct demeanor subvert the norms of the pop princess.

And her music is dark, but still catchy. Bhi Bhiman joins to explain the "nerd punk rock" behind releasing his new album Peace of Mind with an accompanying podcast. Since Bhiman explores issues like deportation on the track "Beyond the Border," there's a lot to say about each song. Even though he tackles tough topics, Bhiman make sure he puts music before the message. Listen to our Spotify playlist of contemporary politically motivated music. After a six year hiatus, Nick, Joe, and Kevin Jonas are back with a new single and the stakes couldn't be higher.

With each brother attaining a higher plane of celebrity during their time off, the three must achieve pop success or face public humiliation. How do they do it? With three ingredients that ensure a hit song in 1 whistle while you work, 2 Homer the funky drummer, and 3 tune in, turn in, drop out. It takes no more than three minutes, and it really helps out the show.

Each instrument fits perfectly together like a lost memory coming into focus. Streaming hasn't just changed the way we listen to music, it's changed the way that pop music sounds. After years of losses due to the death of the CD and the rise of file sharing, the music industry has finally found a profitable business in streaming services. Streaming has overtaken all other music sales. Digital music platforms are the new Virgin megastore. But these services are more than just a distribution mechanism, they have created a whole new music economy. Album sales have been replaced by "album equivalent units," a business fiction that equates 1, streams to one physical sale.

Artists are now effectively paid by the song. With ad-supported and subscription based business models, these platforms have upended incentives so significantly that it can be heard in the songwriting. Songs are getting shorter, albums are getting longer, and there is an entirely new section of the song that draws from the classical past: the "pop overture. Can political protest exist within the confines of commercial popular music? Songwriter Justin Tranter is equal parts songwriter and activist. You've likely heard his contributions to songs by Britney Spears, Julia Michaels, Selena Gomez, Janelle Monae and Ariana Grande, but unless you were paying close attention, you may have missed the essential subtext in his work.

On this episode, he breaks down his newest hit "Swan Song" which was co-written with Dua Lipa. This song is a triple threat serving as the end credits for the film Alita: Battle Angel , a Billboard hit, and a protest against the silencing of marginalized people. Justin shows us how representation in songwriting is inseparable from politics.

And he's creating an open mic for new voices and stories that have been historically ignored by the pop industry. Listen to D. Orxata's Queering Pop Music playlist. What if music awards were given out for only musical qualities? It may seem like celebrity and spectacle are more important than ever at the 61st Grammy Awards, but we believe many of this years winners earned their accolades with noteworthy music. Still, we thought the winners should be heralded by new, more musical categories.

Find out how. Author Courtney Smith joins to offer her expertise on an urgent topic in advance of Valentine's Day: Can we abstract the sexiest songs of all time into a universal list of arousing musical qualities? We try our best by examining five decades of pop sexiness, discovering lyrical lingerie, and consider the most and least seductive instruments.

Author Lauren Michele Jackson joins to break down who has the right to repurpose sonic history. Auto-Tune may be the most divisive effect in music. Artists have protested it publicly at the Grammys, and critics have derided the effects for its inauthentic reproduction of the voice.

And yet, nearly a decade since Jay-Z prophesied the death of Auto-Tune, the sound is alive and thriving in contemporary pop and hip-hop. Journalist Simon Reynolds has written a definitive history of Auto-Tune for Pitchfork that fundamentally changed how we hear this sound. This deep dive criss crosses geology, technology, and the evolution of pop as we know it. Pain - Chopped N Screwed ft. This winter season unwrap a deep dive through a pop subgenre of monumental importance: non-holiday songs that feature sleigh bells, from Bonnie Tyler to Nas, On Side B, we rebroadcast our episode on Mariah Carey's classic "All I Want for Christmas Is You" We may have not been totally honest with you from the beginning.

Back in we were more pop skeptics than fanatics. The genre was, to some degree, the sugar that made the musical analysis medicine go down. And then something happened. Just as people started to listen to the show, we too began to open our ears. Now, in our th episode, Charlie interviews Nate about how transforming the way you listen to pop can truly make life better.

And we get raw about the constraints of pop and where we plan to go in our next episodes. Mike Posner has written hits for himself like "I Took a Pill in Ibiza," and for stars from Justin Bieber "Boyfriend" to Maroon 5 "Sugar" , so he has insights for days on what makes a pop song work. We dig into Mike's excellent new track "Song About You," which leads to an exploration of songs that reuse the same melody for verse and chorus—from Prince to The Boss to Post Malone.

Last, we consider "beard phase": a moment of artistic reinvention that every artist has in their career, whether you're Mike Posner, Ludwig van Beethoven, or Taylor Swift. Dirty Projectors are known for their kaleidoscopic soundscapes. They make strange bedfellows of music techniques like 14th vocal harmonies and African guitar rhythms. But in the backdrop of their obscure orchestrations you will hear the indelible marks of pop music.

On his new track "I Feel Energy" we can hear that pop influence shine through. Together we break down his unpredictable s to see what gives you energy. We also build connections between Dirty Projectors and other artists in the top including Marshmello, Ella Mai and Khalid. The later are an upstart of four boys from Michigan who have found stardom by dusting off the mantle of guitar driven rock.

Jeremy D. Larson, senior editor of Pitchfork, gave the album a 1. We ask Jeremy to join us to reveal what it means to earn such a bad review. After, we do something we've never done before: a track-by-track album breakdown. In a game of musical Pictionary, Charlie challenges Nate to find every Led Zeppelin reference on the album to answer the question: is it a copy or an homage? We have a feeling this will be a divisive episode We think the pair are missing prime opportunities to bring back some neglected musical tricks from the early oeuvre of Britney Spears.

The 90s bug goes beyond Charli and Troye. Anne-Marie and Lauren Alaina also pine for the Clinton era in their millennial bops. Which makes one ask: is the present so bad that we miss the paranoia of Y2K? As usual, Prince has the answer. Check out Megan Lavengood's examples of the complementary chorus.

Marshall Jefferson's "Move Your Body" from might be the ur-source of the ubiquitous 90s house piano. Jefferson recorded the original in his Chicago prophet on a Prophet , but never got the rights to the song and saw little proceeds from its success. Four songs on the Hot pop chart reveal the new directions in which music is headed. Travis Scott's "Sicko Mode" boasts an unprecedented formal structure that points to the future of hip hop. Together these tracks make up the vanguard of their respective genres, but are fans willing to take the plunge?

Recommended Viewing: Rich Redmond's studio drumming. Emily Warren is one of the great rising stars of contemporary songwriting. Her song "Side Effects" with The Chainsmokers is currently rising up the charts. Her process is as much therapy as art. Together we break down her latest work and uncover her creative process. Her album "Quiet Your Mind" is out on October 5th.

Drake, per usual, has been inescapable this summer. We argue for hearing one as a meditation on fragile masculinity, the other as a paean to NOLA Bounce. The final episode of our Switched on Summer throwback series finds us deconstructing more early aughts bangers. The answer: big, sweaty, doses of harmonic tension. Specifically, each track relies on the Baroque technique of the ground bass. When the chords in these songs don't match up with their bass notes, the ratcheting tension adds heat—fueling both dance moves, and controversy.

Get inspired by sound packs and chord progressions created by Switched on Pop and share your best song of summer with us and the world. And, read Owen Pallett's excellent article on the use of harmonic tension in Teenage Dream. This time, with a deep dive into the musical detritus of the s.

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Our subjects are two songs representing the lunatic fringe of 90s culture, "Cotton Eyed Joe" and "How Bizarre. And in the end, we reach a definitive answer to a perennially vexing question: "WTF was 90s music so weird? Start making your summer hit track on Splice and check out our chord pack at splice. Over 50 years and countless covers later, we explore how this song still manages to get people off their feet and onto the streets—not just to dance, but also to raise their voices in joy, catharsis, and protest.

Also, start making your own summer hits with our Switched On Summer repack on Splice at www. Our Switched on Summer throwback mini-series begins in the heart of the s, with the Beach Boys' perennial school's-out jam "I Get Around. We explore how every aspect of Brian Wilson's two-minute-long masterpiece is perfectly calculated to literally "get around"—harmonically, melodically, and lyrically—creating that unbeatable feeling of cruising all over town with the top down on a hot summer's night.

We diagnose a listener's musical malady, namely: "why does Charlie Puth's new jam 'BOY' make us feel so weird?! Check out more of Hanif's work at his website. Parliament Funkadelic has had waves of influence on popular music. Their Afrofuturist message and infectious grooves built the backbone of 70s funk, was revived in the 90s with Dr. The story explores a mythology created by the band Drexciya. In the story, an underwater civilization birthed from African slaves crossing the Atlantic battles their makers to save their habitat.

Listen to hear what makes both infectious tracks so effective. Ariana Grande has returned with a track that is jarring yet simultaneously catchy. She uses sophisticated musical techniques to tell a story of healing, resiliency, and hope after the attack at her concert in Manchester. Listeners will learn techniques like tempo rubato, modal interchange and amen breaks, which weave together this equanimous narrative.

There is a lot of scare about the impending future of artificial intelligence making humans irrelevant.


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We dispel current myths about AI music and discuss its future opportunities. In the second half of the show we run a musical 'Turing test' to see if you can identify music made by a bot from that composed by the hand of a human. Samantha Gongol and Jeremy Lloyd are songwriting duo Marian Hill and they are here to share their annoyingly sharp insights on music.

They come bearing the wistful pop of Lorde's "Ribs," and we deconstruct its primordial roots in classical composers like Scelsi, Beethoven and Haydn. Then, we turn to Marian Hill's new single "Differently" to uncover the subtle musical shifts that outline a complex dialogue lurking among the track's sparse, funky textures. On her single 'Butterflies,' Kacey Musgraves demonstrates a tour de force of songwriting. This song is a wild success because it incessantly reinforces one core emotional concept: that queasy anxious feeling in your stomach.

No we're not talking about your leftover lunch, we're talking about love. But this is not just a simple little love song. It is a masterclass of creativity. Musgraves uses every element of music to reinforce her core idea. The lyrics fold back onto themselves with dual meanings as the harmony, melody, orchestration and rhythm all interweave to literally give the listener butterflies.

Caution: this song may induce feeling of tender sorrow and longing for mutual crushes and anxious kisses. Check out Jonathan Berger's article on musical time in Nautilus.

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