Kwon came to the United States in , and after working for several years for the Korean Institute of Machinery and Metals, decided to start a small hagwon to help his own young children. He started the school with just 16 students.
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Today, the school has about They are identical to juku in Japan; classes are conducted only in Japanese. The Chinese and Koreans, most of whom have come to settle in this country, have geared their cram schools to help students succeed here. At the Elite Academy, English is the language of instruction and the only tests that count are those to get into American schools. Jeong Kim, an year-old freshman at M. From the seventh grade on he spent all of his Saturdays at the school. His father, Sung Kim, had gone to a hagwon in Korea and knew how hard it was. But he sent his children anyway.
Kim graduated in business from one of the best universities in Korea. He owns a dry-cleaning store in Queens, where he works 14 hours a day, six days a week. No vacation. No holidays. After years of paying for classes at the hagwon, he now has one child in M. Log In. View on timesmachine. Editor's Note: Poster no. You may be trying to access this site from a secured browser on the server. Please enable scripts and reload this page. Wolters Kluwer Health may email you for journal alerts and information, but is committed to maintaining your privacy and will not share your personal information without your express consent.
Subscribe to eTOC. Advanced Search. Toggle navigation. Subscribe Register Login. Your Name: optional. Your Email:. Colleague's Email:. Korean surnames are simple, monosyllabic, yet nevertheless powerful. Every time I spot one, I am giddy with pride, excited about the growing presence of Korean American storytellers. Because of their work, I know I am not alone in my experiences, whether they are Korean, American, or of the blurred in-between.
Writing is immensely empowering and cathartic but also gruesome and sometimes near impossible. On top of championing diversity, these writers have wrestled with the craft — ultimately emerging victorious — to produce numerous best-sellers, film festival hits, and the jokes and sketches behind some of our favorite television moments.
Here is what they had to say about writing:. What do you begin with when writing? A character? A theme? From there, what are the next steps? Sometimes I also land on an idea in the course of conversation with somebody I trust. Describe your editing process. With each iteration, are you focusing on a different aspect of your work?web.enduropls.com/pimej-dell-inspiron.php
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For the book, it was so important to get reads from people I trust — first and foremost my amazing editor, Julie Buntin, but I had some friends read it, too. Because it was a memoir, I also had various relatives read it, and then incorporated their corrections and feedback as well. I had to work to nail down the scenes first, and I knew I could beef up the story in revision.
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In general, the first round of edits is mostly about big-picture stuff, reading and noting where I have pressing questions. I really believe the most valuable tool in my editing toolbox is knowing which annoying questions to ask writers! It definitely has helped me to think about it and put down in words what felt so mystifying to me for years. I think you have to think about identity in order to write at all.
What was the most enjoyable aspect of writing a memoir? Similarly, what was the most difficult and how did you overcome it?
One of the more difficult things about publication was also one of the most exciting and affirming — I got to go on tour and talk with lots of people about the book. At the same time, every event also involved a great deal of emotional vulnerability, and I was going through it all while grieving for my dad. Genuine gratitude for everyone who engaged thoughtfully with my book is what helped me overcome the physical and emotional challenges inherent to putting myself out there.
Hearing from people who tell me my book helped them feel a little bit more seen has been the best part of publication by far. Kwon, who in addition to being a literary rock star is such a fierce and generous voice in our community and an absolute hero of mine. His latest feature, Driveways , premiered at the Berlinale. My writing starts with a collection of observations: places I have explored, people I have met, behavior I have witnessed, and moments I have experienced. I then combine these observations together to find meaning or insight. In my film, Spa Night , my observation was this culture of gay cruising that takes place in Korean spas in Los Angeles.
It gave me the foundation to build the narrative, find the characters, and develop the themes. The editing process is brutal!
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It requires a strange distancing, an artificial objectivity. Of course, feedback is very helpful; I rely on friends and colleagues to serve as guides through the revision process.
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Scripts change as you go through preproduction, production, and postproduction. It is a living document, almost constantly being revised. My Korean identity is questioned, taken away from me, or belittled.
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